Tuesday, March 13, 2018

Finland at War


"Finland did not capitulate!"
by Paul Sjöblom





Myths die hard. One such myth, clung to tenaciously abroad, is that Finland "capitulated" to the Red Army in World War II.

"Finland did not capitulate!" ex-president Mauno Koivisto once again emphasized in a recent public appearance.

He spoke at a seminar held in early August in the North Karelian city of Joensuu to celebrate the 50th anniversary of the Finnish victory in the crucial battle of Ilomantsi. Two attacking Red Army divisions were decimated in that last major engagement on the Finnish front before the Armistice concluded in early September 1944.

The future Finnish president witnessed that battle as a soldier in a reconnaissance company commanded by the legendary war hero Captain Lauri Törni (who became a legend also later on in U.S. uniform as a Green Beret under the name Larry Thorne).

In the summer of 1944, when the Red Army launched an all-out offensive aimed at eliminating Finland, the Finns were "extremely hard-pressed," Koivisto declared, but they "did not capitulate."Time and time again, he said he has had to correct this misconception in discussion with foreigners. "We succeeded in stopping the enemy cold at key points," he said, "and in the final battle at Ilomantsi even in pushing him back."

Military historians note that the two elite Red divisions were completely routed after a week and a half of fighting, leaving behind over 3,000 dead, 94 pieces of heavy artillery, a half dozen rocket launchers and the rest of their ordnance. Moscow could only decide that the Finns had plenty of light left in them and would never accept an unconditional surrender.

The Canadian-born Finnish-American scholar Leo Vuosalo, who moved to Helsinki this summer after selling his house in California, fought in this battle as a young recruit. Returning to America after the war, he studied at several California universities and a wrote a thesis dealing with the campaigns on the Finnish front. For the next 35 years or so, he taught courses in history and political science at various universities and other educational institutions in California.
"My academic colleagues," he recalls, "persisted in propagating the myth of Finland's capitulation. They obstinately refused to accept the facts I presented to prove they were wrong."

He sites the case of a Stanford University history professor named Kennedy who wrote much-used textbook dealing with U.S. foreign policy in which Finland gets a passing mention as having been "flattened" by the Red Army. In quite a recent edition of the book, this gross distortion of historical fact remained uncorrected.

Last year, I received an inquiry from a Finnish-American friend about Larry Thorne, whose exploits, he said, had been featured in a movie about the Green Berets. My friend wanted to know whether Thorne had actually, as he had heard, been a popular war hero in Finland, too. Included in the letter was a copy of an official U.S. military biographical sketch of the fellow. This document jolted my by stating that Thorne had been obligated to flee West for fear of Communist reprisal after Finland's "capitulation."
. . .

The ignorance of even the best-informed observers in the West about Finland's part in World War II is astounding.

Take British Major-General H.M. Tillotson's book Finland at Peace & War--1918-1993, for example. It was written, in close collaboration with Finland's Foreign Ministry, Ministry of Defense, Defense Staff, Commission of Military History, Military Archives and Military Museum, to mark, in 1993, the 75th anniversary of the armed forces in independent Finland.*)

Yet, in its 354 pages, the book has room for only one sentence about the single most important battle, perhaps, fought in Finland's Continuation War, Tali-Ihantala. There the Finnish concentration of artillery fire was the heaviest in the country's military history. It has been described as even heavier than the Soviet fire in the siege of Berlin.

The Soviet offensive on the Karelian Isthmus was launched just at the time of the Western Allies' landing at Normandy. The several armies hurled against Finnish fences were crack troops, the Soviet "elite." Stalin's plan was obviously to occupy Finland before the Wester Allies could advance very far against the German lines.

For every 100-meter stretch of the Isthmus, the Red Army placed no less than 10 pieces of artillery--in one sector all of 400 over a distance of only one kilometer. Since the Finns had only 268 cannon, they could mount only 5 for every kilometer. The artillery odds were thus 20 to 1 in the attacker's favor. Besides, with some 400 bombers and 600 fighters thrown into the fray, the Soviet forces had overwhelming air superiority. Official Russian records reveal that during the summer offensive, aircraft of the 13th Soviet Air Force carried out "more than 9,000 combat missions" against the Finnish forces.

The artillery fire aimed at Finnish targets has been described by some researchers as the most massive in world military history up to that time.

At the critical Ihantala sector, however, the Finnish defenders managed to concentrate their fire to the extent of smashing the advancing Soviet spearhead.

In the Russian book Bitva za Leningrad 1941-1944 (The Battle of Leningrad) edited by Lt.-Gen. S.P. Platonov, it is stated: "The repeated offensive attempts by the Soviet Forces failed . . . to gain results. The enemy succeeded in significantly tightening its ranks in this area and repulse all the attacks of our troops . . . During the offensive operations lasting over three weeks, from June 21 to mid-July, the forces of the right flank of the Leningrad front failed to carry out the tasks assigned to them on the orders of the Supreme Command issued on June 21st."

It was then that Stalin ordered the withdrawal from the Finnish front of the decimated elite divisions to join the forces advancing on Berlin.

In a speech held Sept. 4, this year, on the occasion of the 50th anniversary of the signing of the Armistice ending Finnish-Soviet hostilities, Prime Minister Esko Aho declared:

"I do not see defeat in the summer's battles, but the victory of a small nation over a major power, whose forces were stopped far short of the objectives of the Soviet leadership. Finland was not beaten militarily . . .

"Finland preserved her autonomy and her democratic social system . . .

"Finland was on the losing side of the war, but won the peace."
Significantly, aside from Britain, Finland was the only European country involved in the war west of Russia that was never occupied by enemy troops.
_________
*) The all-out support given the British general by the Finnish military authorities is pointed up by the fact that the Preface to his book was contributed by Admiral Jan Klenberg, who is there titled "Commander-in-Chief," though that title belongs in peacetime to the President of the Republic. The commanding officer of the Finnish Defense Forces praises the book, stating that it "has a central role in illustrating the history, the present time and the future of the national defense of Finland for foreigners." This makes it all the harder to understand how Tillitson's book fails to recognize the momentous significance of the Finnish victories in the battles of Tali-Ihantala and Vuosalmi, which halted the massive offensive of 1944 and won for Finland a negotiated armistice and saved the country from enemy occupation.





Friday, December 22, 2017


“We, a Number of Spiritually

 Sensitive Scholars

 from East of Palestine, Are...”


A couple of aporetic questions have led to apocryphal answers...
Liisa Berg



"And when they were come into the house, they saw the young child with Mary his mother, and fell down, and worshipped him: and when they had opened their treasures, they presented unto him gifts; gold, and frankincense, and myrrh." 
(Matthew 2:11)

<<<<*>>>



Not that art will lead us to truth and light—sometimes far from it—but it has been interesting to consider new “takes” on the Christmas Story by examining some masterpieces whose inspiration has flown from the Greatest Story Ever Told. (When I refer to artwork, it is not to look for evidence, just intellectual stimuli.) Fortuitously, there are some known facts that play a role here, too... I just find this very interesting.

“We three kings of Orient are...” might need to say “We a number of spiritually sensitive scholars from east of Palestine are...” These “distinguished foreigners” are better known as the Magi. Magi is the plural of magus, used since at least the 6th century BC, to denote followers of Zoroastrianism or Zoroaster. (But that’s another story.)

How many magi were there? 
Traditionally, it is believed that there were three men, based on the number of gifts brought: gold, frankincence and myrrh. Perhaps there were only two or more than three, bringing communal offerings? (In Eastern Christianity, especially the Syriac churches, the Magi often number twelve.) If they were serving in the capacity of witnesses, there would of necessity have been two or more. (Parts collected from Bible Dictionary.) 

Who were they?  
Who these men were we are not told, but it is certain they were not ordinary men, but nowhere in the Gospels does it say that they were “kings.” That they were privileged to search out the Son of God and give Him gifts, and that they were spiritually sensitive and knowledgeable, suggest that they were actually prophets on a divine errand. The customary identification of them as astrologers is a gross misrepresentation. They evidently were holy men from a land east of Palestine. (Parts collected from Bible Dictionary.)  

How did they travel?  
Did three kings come to see Jesus riding camels? The Bible does not say that any kings or camels visited the young Jesus. Nor does it say that there were horses, though in many Medieval/Renaissance art pieces, horses accompany the magi more frequently than camels. (Those Arabian horses are well-known for their unmatched endurance riding.) (See artwork.) 


Adoration of the Magi
Francesco Bassano, the Younger, Italian, 1549-1592
My favorite. I love the movement/motion in the painting...
Shows a horse (and a donkey, but I can't imagine
the magi traveled on donkeys).


However, in his Adoración de los Reyes Magos, El Greco (1541-1614) painted creatures that to me seem an odd mix of camels and horses. His assertion might have been that he believed the magi did travel by camels, but he added an unexpected "mutation" to their appearance. I don't know. The animals just look odd to me.


Adoración de los Reyes Magos, El Greco (1541-1614)
This painitng also clearly shows that the manger is history and that
the Holy Family is residing in a "house."



When did they visit Jesus?
From the scriptures, we can safely determine that the magi did not visit Jesus when he was still lying in the manger, as is commonly shown on greeting cards and in plays. The magi did not arrive until sometime after Christ’s presentation in the Temple in Jerusalem (Luke 2:22-39). At this time, scripture calls Jesus a “child,” not a “baby,” and that he was in a “house.” It is possible that little Jesus was walking and talking by then, and he could have been up to two years old. (See artwork.) 
Adoration of the Magi
Shows a horse and a baby who is already sitting



Adoration of the Magi (1423)
Gentile da Fabriano, Italian, 1370-1427
Several horses and a baby sitting in his mother's lap.

These two also show a little older "child":

Adoration of the Magi
Domenico Tintoretto, Italian, 1560-1635



Adoration of the MagiGaspare Diziani, Italian, 1689-1867
More grown-up baby, possibly already walking.
..

Another detail: all artwork shows Joseph hovering over Mary and Jesus, though the scripture mentions only Mary as being present with Jesus. 

What did they bring to the Child Jesus?
The Bible story mentions three gifts (and this may be the basis for thinking that there were three visitors): gold, frankincense and myrrh. These three gifts had a spiritual meaning: gold as a symbol of kingship on earth, frankincense (an incense) as a symbol of deity, and myrrh (an embalming oil) as a symbol of death. This dates back to Origen in Contra Celsum: "gold, as to a king; myrrh, as to one who was mortal; and incense, as to a God." (From Wikipedia)

This is what frankincense and myrrh look like, crystalized. When we lived in Riyadh, I found these in one of the many suqs (markets) there. The merchants were sitting around and chewing on the crystals like gum, and gave me a taste. Well, pretty tasteless, actually... Oh, and the gold was hanging around my neck!



Both frankincense and myrrh are resin from trees, frankincense from Boswellia trees, and myrrh from small, thorny tree species of the genus Commiphora. Myrrh can also be ingested (or used as chewing gum!).

It was customary for Saudi women to stand over an incense burner and allow the whiffs to permeate their clothing before leaving the house. It was very pleasant to shop along with these ladies because of the strong fragrance of incense.

An incense burner from perhaps more illustrious times;


More common burners look like this:


So, there’s our legend of an event at an unspecified point after Christ's birth in which an unnumbered party of unnamed "wise men" visit the Christ child at an unnamed location. But I believe.

Thursday, December 7, 2017

Oi Suomi, katso








Oi Suomi, katso, sinun päiväs koittaa
Yön uhka karkoitettu on jo pois
Ja aamun kiuru kirkkaudessa soittaa
Kuin itse taivahan kansi sois
Yön vallat aamun valkeus jo voittaa
Sun päiväs koittaa, oi synnyinmaa

Oi nouse, Suomi, nosta korkealle
Pääs seppelöimä suurten muistojen
Oi nouse, Suomi, näytit maailmalle
Sa että karkoitit orjuuden
Ja ettet taipunut sa sorron alle
On aamus alkanut, synnyinmaa

V.A. Koskenniemi

~~~~~

Oh, Finland, behold, thy day now is dawning,
The threat of night has been dispelled.
The skylark calls across the light of morning,
As if the firmament itself reverberates.
The light of day now conquers the powers of night
Thy day is dawning, Oh, Fatherland!

Oh, arise, Finland, raise up high
Thy head crowned with grand memories.
Oh, arise, Finland, thou hast shown the world
That thou hast thrown off slavery,
And not succombed beneath oppression's yoke.
Thy morning has commenced, Oh, Fatherland!

~~~~~




Growing up in Finland in the middle of last century, every child understood the sacrifices that our armies had made to leave us a free, independent homeland. Much of the teaching came from patriotic music: songs that we knew by heart from first grade on. One such "musical teacher" was Jean Sibelius' tone poem Finlandia, or Suomi. Oh, the thrill and fervor even the youngest heart felt right from the first discordant measure of the majestic orchestral sound. And then, after the battle of the brass, as if echoing the sounds of war, a calm, reassuring harmony made way for the resolution of conflict that would end the long-lived oppression. This is why every Finn beams with patriotism when he hears this majestic music.


Originally, there was no text to the hymn section of Jean Sibelius' Finlandia; for 40 years Sibelius successfully resisted attempts of many to write such libretto. Finally, in 1940, Veikko  A. Koskenniemi’s creation was acceptable to Sibelius, and the nod was given to go ahead and officially include the poetry. The events in Finnish history lead to this text and its acceptance by the Maestro.

1940 was a seminal time in Finland’s history. On 30 November 1939, Russia invaded Finland, and thus commenced the infamous Winter War (three months after the outbreak of World War II). Finland fought courageously in the freezing winter weather, and the enemy was no match in the snowy fields of Finland. The conflict ended with the signing of the Moscow Peace Treaty on 13 March 1940.

At this noteworthy moment, the culmination of Finland’s strivings for complete independence, Sibelius and Koskenniemi combined their artistic strength resulting in the declaration of victory, “Thy morning has commenced, Oh, Fatherland!”

It may also be important to note the original occasion for which Sibelius composed his tone poem Finlandia—the Press Celebrations of 1899,  a covert protest against increasing censorship from the Russian Empire. The symphonic tone poem was the last of seven pieces performed as accompaniment to tableaux depicting episodes from Finnish history. Sibelius’ composition caused passionate patriotism to the point of raising riots, which lead Russia to ban its subsequent perfomances. However, Finlandia was included in concert programs under various alias titles.

Most of the tone poem is taken up with rousing and turbulent music, evoking the national struggle of the Finnish people. Towards the end, a calm comes over the orchestra, and the serenly melodic Hymn is heard. It still arouses strong patriotic feelings in Finnish hearts.

I hope the reader will understand why it is hard for me to hear the hymn section set to foreign words, and why this is the only way this beautiful hymn ought to be heard:








Sunday, August 7, 2016

BRIDGES OVER PIELISJOKI



It all looks so small now, viewed from the distance of several decades, but a large portion of my life’s experiences revolved around that small island, water and bridges.

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It seems that bridges played a substantial role in my childhood and youth. During those precious years in my life in Joensuu, there were three bridges, Itäsilta (East Bridge), Länsisilta (West Bridge) and Kanavansilta (Channel Bridge.)  Nowadays—at least six, maybe more. In the picture above, the bridge on the left is the Itäsilta, and the other visible one is, of course, the Länsisilta. Kanavansilta, the drawbridge, is located just at the right edge of the photo.


Itäsilta—East Bridge

Länsisilta—West Bridge

Kanavansilta—Drawbridge

My home was in a nearby suburb (first Peltola and then Kettuvaara), about two kilometers from the town center, separated by those three bridges. I crossed them every day either on foot or by bike—to school, church, shopping, library, movies, sports (mainly swimming and ice-skating, according to the season), summer jobs, friends' houses, etc. One of my favorite stops that I made on my way home from school was to see my dad in the venerable old government building, Pielislinna, pictured below, where he worked, employed by the Finnish Army.  I have sweet memories of meeting him there and playing telephone tag with him; he would tap the phone in another office and I would answer. Now, that was really fun for me as a youngster, for we did not have a phone at home.


Pielislinna

I now realize more fully how important that island—called Ilosaari (Happy Island)—was in my growing up years. I learned to swim and dive in the lagoon. Summer theater was always a highlight. That large red-roofed building (referring back to the first photo) was a multipurpose conference center called Karjalantalo (Karelia House) where our church meetings were held for a while. Later on, I worked as a guide at the Pohjois-Karjalan Maakunta Museo (North Karelia County Museum) located at the lower level of that building, as well. In addition, many functions took place there, such as dances and other occasions.

I remember singing there, in a trio with two other girls, as part of the entertainment at a military induction celebration. Yeah, I did that. Finnish folk songs. That I had arranged for three voices, performed a cappella.

Karjalantalo—Karelia House


Uimakoulu—Swimming School


Above, a photo that shows two of the bridges. It also shows the roof (red) of my old school, which later on also housed the city library and an art museum. I worked in the museum as a guide during two summers. This edifice, Joensuun tyttölyseo, is a beautiful landmark and still serves as a splendid example of Jugend architecture (Art Nouveau in America). So many memories, some good, some not so good...

And speaking of school, one high-spirited moment was witnessed by passers-by on one of those bridges after the last examination in high school (ylioppilaskirjoitukset, or "matriculation examination"). On my way home with friends, I threw all my school text books, one by one, down into the river from Itäsilta...  "No more pencils, no more books, no more teachers' dirty looks." And that's the wildest thing I ever did. (If you believe that, you might be of easier credulity than I thought!)

But that's not all where I encountered bridges. Perhaps someone who interprets dreams can tell me why I had persistent nightmares about those bridges. In the dreams, I was always afraid I would fall off and plunge into the rapids that raged underneath. The surface of the West Bridge was made with wooden planks with tiny cracks in between them for draining rain and melting snow, and my fear in the dreams was always that I would fall in between the planks. Come to think of it, I was afraid of that even in real life! Or that the bridge would meander and swerve and I would never get home. Those were real night terrors. So why did I dream such scary things? What do they mean? Have some of the secrets in them come true? Do I even believe in dreams?

I have no answers.




Wednesday, July 27, 2016

JAPANESE TEA BOXES





We've seen some pretty tea pots and tea cups—pretty enough to collect and keep on display in prominently located curio cabinets or shelves—and now we can add to them tea boxes (or chabako) from Japan. These are truly authentically Japanese, covered with authentic Japanese obi or other exquisite fabrics—authentic, of course! 

So, what are these Japanese tea boxes? They are thin-walled wooden boxes of vastly varying sizes—from 1-kg size up to 60 kg—lined with sheets of tin to keep tea dry and fresh. With the arrival of Tupperware some decades ago, however, these wooden boxes are hardly ever used in today's Japanese households. They have become more a nostalgic item that these days seems to connect East with West in that it is the Westerner who is interested in this nostalgia. Many women are keen to learn how to cover them, to "upholster" them, thus making them into decorative items, from small boxes to keep on shelves or tables to foot stools or side tables. They also make excellent moving boxes. (Not as cheap as cardboard, but all included in the move, so why not?)


The flat boxes are nori boxes. (Nori is a seaweed.)

I became interested in—or more precisely, fascinated by if not obsessed with—these boxes when we lived in Tokyo. I realized that by using old Japanese obi for covering them, this combination made a perfect marriage by which to remember Japan. There was a store called "Chicago" where they sold funky second-hand clothing and used obis and kimonos. The store was located in Omotesando; our driver Wataraisan would take me there regularly. Aaah, what sweet memories! 

Below are some examples of the ones, in various sizes, that I have upholstered. Most were given away as gifts—a very welcome gift to an expat living in Japan or Japanese friends.

The top left box is covered with a piece from an old Indian sari; the others are from obi.




This one may be my favorite, due to the simplicity of embroidery on the obi and the decorative studs that I embedded on the front.

Here is an example of one the larger ones I saw, a beautifully upholstered piece that makes an attractive trunk or a coffee table. It sits on a stand that was made specifically for arrangements like this... handmade, impressive.


Photo from chabakointernational.com


So, these photos and stories ought to waken some curiosity about the Japanese obi. If so, here are just a few photos of them:



And with that, I feel another post coming on about these gorgeous things...

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Photo from chabakointernational.com

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